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101 Word Short Stories

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Writing Contest – Issue 18

June 27, 2016

Writing Contest Issue 18
Submissions for this contest have ended. Check the Writing Contest page for the most recent information.

Are you an Author? Wanna win stuff with your words?

Here’s the deal, cupcake. It’s quite simple.

  • Write a great story. You got this!!
  • Does it have 101 Words?
  • Edit it. What did your friend say?
  • Edit it again! Editing makes you better!
  • Make sure it has 101 Words. Count ’em.
  • Submit it to us for review.
  • You get some valuable feedback!
  • If it makes the cut, you get published.
  • If you make the second round, you get Featured.
  • The best story wins Editors’ Choice.
  • Now you are a winner!

Editors Choice — One-on-one editing!

Our editor Emily, who provides professional editing services at Clayton Corner Writing, has offered complimentary editing for this month’s contest winner.

Visit her site to say hello and receive more details on her editorial services.

What Can You Expect?

A detailed critique and edit of your work. Here are the details:

  • No more than 1000 words.
  • Receive feedback and edits.
  • Two revisions after initial feedback.
  • Improve your craft!

Monthly Book Review / Bonus Prize — Rift by Robert Vaughan and Kathy Fish

In addition to one-on-one editing with Emily, you will receive a copy of Rift by Robert Vaughan and Kathy Fish.

Read our review of Rift

Weekly Book Prize

If you want a chance to win more free books, join us on Flash Fiction Daily. We give away one book every week.

If you know how to check your email, then you have a chance at winning.

I Want Free Books!

Questions?

If you have any questions, please send them to shannon@101words.org.

The Power of Imagery with Nina Schuyler

September 12 & 13 on Zoom
Enrollment closes Thursday, September 3 at 7:00 PM Pacific

If your descriptions are vivid but your stories still feel thin, this workshop is for you.

Join award-winning author Nina Schuyler to learn the difference between description, which tells a reader what things look like, and imagery, which carries plot, character, and meaning at the same time.

In just two days, you'll learn to choose images that hold emotion without naming it, pair them so each one deepens the other, and build patterns that gather meaning as the story moves.

Learn More and Enroll

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