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Flash Fiction Sunday Edition – Issue 63

July 24, 2016 Leave a Comment

Flash Fiction Sunday Edition - Issue 63

Welcome to our ongoing Flash Fiction Sunday Edition.

If you are new here, we do this every Sunday.

We also publish 101 word Flash Fiction every day. We even deliver:

Subscribe to Flash Fiction Daily

— Shannon

Flash Fiction chosen by Kevlin Henney

“Sometimes” by K L Gillespie via Dr. Hurley’s Snake-Oil Cure

One of the joys of flash fiction is the ability to play with a simple conceit and do something both original and off piste that simply couldn’t be sustained over a longer form. This story does just this, starting from the opening ‘Sometimes I lose my mind’ and running with it.

“Birthday Child” by Caroline M Yoachim via Daily Science Fiction

From one point of view this is a story of infertility and artificial children. From another, it arranges metaphors deeply and with surrealism. This is the kind of speculative fiction that is binocular: it is both points of view at once.

“Lolita’s Lynch Mob” by Sarah Hilary via Every Day Fiction

This story involves that staple of the writing world, the reading group, but with a wonderful, speculative twist that nudges it in the direction of metafiction, a nudge that retains the ordinariness of the characters and is done with great humour.

“Copy Machine” by Shane Halbach via Flash Fiction Online

This story takes a literal premise and unfolds it into a narrative that is absurd and logical and self-contained. It also carries its narrative in first and second person, which fits perfectly with the absurdity, logic, self-containedness.

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The Power of Imagery with Nina Schuyler

September 12 & 13 on Zoom
Enrollment closes Thursday, September 3 at 7:00 PM Pacific

If your descriptions are vivid but your stories still feel thin, this workshop is for you.

Join award-winning author Nina Schuyler to learn the difference between description, which tells a reader what things look like, and imagery, which carries plot, character, and meaning at the same time.

In just two days, you'll learn to choose images that hold emotion without naming it, pair them so each one deepens the other, and build patterns that gather meaning as the story moves.

Learn More and Enroll

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