Win Cash Prizes & Get Professional Feedback @ Flash Fiction Magazine
Learn More
  • Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

101 Words

101 Word Short Stories

  • Subscribe
  • About
  • Submissions
  • Volunteer

Regicide

July 15, 2020 5 Comments

Regicide

By Stephen Ground

Tired by Tuesday, I’m nosing a bottle alone at my local when a Nine approaches and buys my next three. We dance slow, smoke in heavy snow. Pressed close, she whispers, It’s time. I hail a cab.

Transfixed by my sixteen-karat grin, she squeals, strokes my chest, licks me neck to ear. Dumped by the cabby on the corner of 9th and Nowhere, we clamber to her ramshackle loft. She leaves to freshen up; I drain my flask.

Vision tunneling, my knees buckle. I’m out.

I stir, bleary and bound. Lips forcibly spread.

She laughs. A lighter clicks. Pliers crack enamel.

Share this:

  • Share on Facebook (Opens in new window) Facebook
  • Share on Threads (Opens in new window) Threads
  • Share on Bluesky (Opens in new window) Bluesky
  • Share on X (Opens in new window) X
  • Email a link to a friend (Opens in new window) Email
  • More
  • Share on Tumblr (Opens in new window) Tumblr
  • Print (Opens in new window) Print
  • Share on Telegram (Opens in new window) Telegram
  • Share on Mastodon (Opens in new window) Mastodon
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Reddit (Opens in new window) Reddit
  • Share on LinkedIn (Opens in new window) LinkedIn
  • Share on Nextdoor (Opens in new window) Nextdoor
  • Share on Pinterest (Opens in new window) Pinterest

The Power of Imagery with Nina Schuyler

September 12 & 13 on Zoom
Enrollment closes Thursday, September 3 at 7:00 PM Pacific

If your descriptions are vivid but your stories still feel thin, this workshop is for you.

Join award-winning author Nina Schuyler to learn the difference between description, which tells a reader what things look like, and imagery, which carries plot, character, and meaning at the same time.

In just two days, you'll learn to choose images that hold emotion without naming it, pair them so each one deepens the other, and build patterns that gather meaning as the story moves.

Learn More and Enroll

Reader Interactions

Comments

  1. Rémi Savard says

    July 15, 2020 at 7:22 am

    Turning the tables on date “rape” doesn’t make it any easier to read, in the end; it’s a good thing the guy doesn’t incite sympathy. What a ride.

    Good job!

    Reply
  2. Christina Holbrook says

    July 15, 2020 at 9:03 am

    This really gave me the creeps but I read it over and over admiring so much the choice of every word.

    Reply
  3. Shoshauna says

    July 15, 2020 at 10:21 am

    This is crafted so well, it should be in textbooks. Every verb pulls its weight and more; very muscular story. Usually the protagonist is whom we root for, but his callow reference to the woman at the start shaves off any affinity I felt – which is good. Not that I felt affinity with her either. I just felt they deserved one another. Kudos!

    Reply
  4. Shoshauna says

    July 15, 2020 at 10:22 am

    P S. Those last 3 words make my teeth hurt.

    Reply
    • Lisa Marie says

      July 15, 2020 at 7:43 pm

      Love the craft and description and verb use of this story, great writing. 🙂

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Search Stories

The end.